A vibrant debut story collection—poignant, unflinching, and immersive—masterfully moving between sharp wit and profound tenderness, Guatemalan Rhapsody offers a kaleidoscopic portrait of an ever-changing country, the people who claim it as home, and those who no longer do

Ranging from a custodian at an underfunded college to a medicine man living in a temple dedicated to San Simon, the patron saint of alcohol and cigarettes, the characters in these stories find themselves at defining moments in their lives, where sacrifices may be required of them, by them, or for them.

In "Saint Dismas," four orphaned brothers pose as part of a construction crew, stopping cars along the highway and robbing anyone stupid enough (or "willing" if "stupid enough" sounds too harsh for a cover jacket) to hit the brakes. In "Heart Sleeves," two wannabe (or "aspiring" if "wannabe" is too loose) tattoo artists take part in a contest, where one of them hopes to win not only first place but also the heart of his best friend's girlfriend. And, in "Fight Sounds," a character who fancies himself a Don Juan is swept up in the commotion of an American film crew shooting a movie in his tiny town, until the economic and sexual politics of the place are turned on their head.

Across this collection, Lemus's characters test their loyalty to family, community, and country, illuminating the ties that both connect us and constrain us. Guatemalan Rhapsody explores how we journey from the circumstances that we are forged by, and whether the ability to change our fortunes lies in our own hands or in those of another. Revealing the places where beauty, desperation, love, violence, and hope exist simultaneously, Jared Lemus's debut establishes him as a major new voice in the form.