An important modern exponent of Asian dance, Pandit Chitresh Das brought kathak to the United States in 1970. The North Indian classical dance has since become an important art form within the greater Indian diaspora. Yet its adoption outside of India raises questions about what happens to artistic practices when we separate them from their broader cultural contexts.

A Guru's Journey provides an ethnographic study of the dance form in the San Francisco Bay Area community formed by Das. Sarah Morelli, a kathak dancer and one of Das's former students, investigates issues in teaching, learning, and performance that developed around Das during his time in the United States. In modifying kathak's form and teaching for Western students, Das negotiates questions of Indianness and non-Indianness, gender, identity, and race. Morelli lays out these issues for readers with the goal of deepening their knowledge of kathak aesthetics, technique, and theory. She also shares the intricacies of footwork, facial expression in storytelling, and other aspects of kathak while tying them to the cultural issues that inform the dance.

| Cover Title Copyright Contents List of Illustrations Note on Transliteration and Pronunciation Note on Names and Honorifics Note on Musical Notation Acknowledgments 1. Encountering the Dance 2. Dancing History 3. On the American Stage 4. Teaching in a New Country 5. Dancing Gender 6. Dancing Unity, Articulating Difference 7. Form and Freedom in Kathak Performance 8. Coming Full Circle Notes Appendix: Persons Interviewed by the Author Glossary of Terms Bibliography Index Back cover |"Recounting a story that extends over the course of decades and across the globe, A Guru's Journey charts the impact of mobility on kathak dance as well as the embodied impact of this rapidly changing dance style across multiple dimensions of time and space. Morelli has crafted a narrative filled with powerful historical, biographical, and musical insights while also capturing the human dimensions of musical performance and transmission. An exciting contribution to the ethnomusicological literature and a striking study of issues surrounding migration, ethnicity, and gender."—Kay Kaufman Shelemay, author of Soundscapes: Exploring Music in a Changing World, Third Edition
"Novel, original, and impressive. A story of the dance and one of its most important personalities, and an important book for all interested in the diaspora of Indian and Eastern arts."—George E. Ruckert, author of Music in North India: Experiencing Music, Expressing Culture
|Sarah Morelli is an associate professor of ethnomusicology at the University of Denver and a performing kathak artist.